A large company wanted to replace its whole production with animated films. It had a real deadline and a real audience. It was not asking for a demo.
We are almost open.
Everything here is ready to read. Making a film is not ready yet, because we are still setting it up. Put your email in and we will tell you the day it works.
nine makes a film in your own look, not ours.
Your colours, your typeface, in about a minute. Free.
Public sites, read live. Not our clients.
That was a moment of machine.
It read a page and put your colours on a template. That is not your film. That is the part that is easy. Every name below is somebody who has not started yet.
Ready?
Now make a serious film for free A real film, written against what the film is for. Free, no account, no card, and nothing to type again.
See the direction first.
Nine reads your website and makes a free preview in about a minute. If you want a finished film, you bring the brief and Nine builds the work around it.
Built because the usual tools were not enough.
Nothing could hold a long script, keep a client’s own look and still be honest about whether the result was ready. So the studio was built against real work.
Nine runs on a real domain and in the studio where it was made. The free preview is open to everyone. The finished work starts with a conversation.
See your brand in about a minute.
Paste your address and Nine makes a quick preview from what it finds. It is a way to see the direction, not a promise that a commissioned film arrives in one minute.
It reads your website
It builds a preview
You decide if the direction feels like you
A finished film starts with your brief.
The preview shows the look. A commissioned film adds the argument, the scenes and the decisions that make it useful.
A film we made for somebody who asked for one Half a minute long Made the same way yours would be
Nine is not a button that calls a film finished.
Nine is a gate. The number is not a compliment and it is not an average that hides a weak scene. Each scene has to reach the bar before the film leaves. If one scene falls short, it comes back with a clear list of changes. The standard can be raised by the person paying for the film, and that decision stays visible.
Every role has a job, and a boundary.
The work stays trustworthy because the person who checks a film is not the person who quietly approves their own work.
- You and the briefSet the purpose, audience and outcome. Nothing is judged against a vague summary.
- The authorWrites the film and answers the notes. The author never approves their own work.
- The panelReads the film through direction, picture, story, sound and craft.
- The gatesMeasure the finished work. They report what they found, including when they found nothing.
- The judgeScores each scene against your brief and cannot edit the film.
- Your final eyeWatches last, names the important objections and decides whether it is ready.
Built for your brand, not pulled from a template.
The film keeps your brief, your look and the reason it exists in view from the first frame to the last.
- Your brief stays in the frame. The film is built around what you want people to understand.
- Your look stays yours. The colours, typeface and visual rules come from your brand.
- Every scene has a reason. The work is checked against the brief instead of a generic idea of good.
- A person decides what goes out. Nine can measure the work, but it does not replace your judgement.
If you can explain it out loud, it can be a film.
It does not matter what the subject is.
- Code somebody new has to understand
- A paper nobody outside the field will read
- A product that ships every week
- A launch, cut for a site, a feed and a phone
- Training people skim and then do wrong
- The one idea in a bid that decides it
- The long email nobody finished
A wedding, a birthday, a farewell, a season for a club. Same standard, same bar.
Two kinds of film, five ways in.
Nine makes animations and Nine makes talking head films. Either can start from your address, a document, a picture, or anything you drop in.
- Your web addressWe read the site
- A documentA script, a deck, a PDF
- A pictureA drawing, a screenshot, a photograph
- A link to your codePaste the repository
- A film of someone talkingBy arrangement
Not cropped. Composed again.
The same film, built four times. Watch the words move, not the edges.
What it costs.
A film costs a monthly price you can see below, and the first one is free. The preview itself is free and stays free.
Free
For a first look: your brand read from your website, the gallery films in your colours, the chamber.
Freeforever Start freeFilm
For one person who needs films of their own, in their own look.
$99a month$297for 3 months$999for 12 months Choose FilmFilm + Transparent
For teams that layer films over their own video.
$299a month$897for 3 months$2,999for 12 months Choose Film + TransparentProduction
For marketing teams that publish every week and use a talking head.
$1,049a month$3,147for 3 months$10,499for 12 months Choose ProductionStudio
For organisations that publish constantly and want a studio that remembers them.
$7,249a month$21,747for 3 months$72,499for 12 months Choose StudioCompare all five plans, row by row
What you own at the end of it, and the detail behind these, is on the cost page.
What Nine connects to.
Services a marketing team already works in.
FigmaNeeds your key
DropboxComing
AirtableComing
CanvaComing
Bring the tools your team already uses. Nine fits around the work.
Nothing here is a claim of approval from anyone. Airtable and the Airtable trademark are registered trademarks of Formagrid Inc dba Airtable.
I built nine to keep the whole frame in one pair of hands.
I have spent ten years in film as a colourist, an editor and a cinematographer. I built nine because I wanted to control the whole chain, from reading a brand to checking the finished frame.
nine is that taste, written down. What good looks like, what gets measured, and what is never allowed. Every film shows you the rule it used.
I used it privately first. Now I am sharing it with the world, while keeping the work close enough to care about. I read the mail myself at Sondre@NorwAI.as.
See it on your own brand.
Your address, your colours, your typeface. A film in about a minute, free, and no account. It is the cheapest way to find out whether this looks like you.